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05 February 2014

23 Parents Describe Their Kids’ Creepy Imaginary Friends (That Are Probably Actually Demons)

1. He doesn’t have a face

    My son from the age of three always tells me about the “creeper man” who lives in my mom and dads bedroom. He brings it up after he visits them. I made the mistake once of asking what he looks like. My son said “Oh, he doesn’t have a face.”

2. “You’ll get used to killing”

    A parent of one of my students told us in a meeting that she was concerned because her son (7 years old) talked about an invisible ghost who would talk to him and play with him in his room. He said the ghost was called The Captain and was an old white guy with a beard. The kid would tell his mom that The Captain told him when he grows up his job will be to kill people, and The Captain would tell him who needed to be killed. The kid would cry and say he doesn’t want to kill when he grows up, but The Captain tells him he doesn’t have a choice and he’ll get used to killing after a while.

3. Little girl ghost

    When my daughter was three she had an imaginary friend named Kelly who lived in her closet. Kelly sat in a little rocking chair while she slept, played with her, etc. Typical imaginary friend shit. Anyway, fast forward two years later, the wife and I are watching the new Amityville (the one with Ryan Renolds) and our daughter walks out right when dead girl goes all black eyed. Far from being disturbed she said “That looks like Kelly.” “Kelly who?” we say “You know the dead girl that lived in my closet.”

4. Bad rabbit

    My cousin, when she was 5, and I was 17, had a stuffed rabbit that she talked to and carried everywhere. One day she was asleep on the couch while I was watching her, and she woke up and started yelling at her rabbit for no reason. One minute she was knocked out, the next, she’s awake, glaring at her rabbit, yelling, “No! You can’t do that! That’s bad! Don’t do it!” repeatedly. I asked her what was wrong, tried to get her to stop, but she wouldn’t listen. I finally just took the rabbit up to her room, and when I came back down she was asleep on the couch again. Fuck whatever that rabbit was planning on doing.

5. Roger won’t be around anymore…

    My little brother’s imaginary friend, Roger, lived under our coffee table. Roger had a wife and 9 kids. Roger and his family lived peacefully alongside us for three years. One day, my little brother announced that Roger wouldn’t be around anymore, since he shot and killed him and his whole family. I don’t know if he remembers any of this, but his genuine lack of remorse was very disturbing.

6. A boy in the tree

    My folks’ farm surrounds a cemetery, and my dad and my niece were walking down there. My niece (4) looks up and says “What’s that boy doing up in that tree?” There was no boy, but she insisted there was and could describe him.

7. The bunny man

    When I was 16, I babysat twins who were in the third grade at the time. They always spoke of a man in an Easter Bunny costume, and they were terrified of him. One day I was babysitting, and one twin was in the shower. His brother and I were sitting downstairs watching television when all of the sudden, he said, “you need to go check on Matt.” Seconds later, Matt yelled, “He’s in here!!! He’s in here!!!” I ran upstairs, and I had to check every room before he would calm down. I’m not sure which part of the experience freaked me out the most.

8. Poor Shaggy

    when my mom was younger she had an imaginary friend named Shaggy. When she was finished with Shaggy, she “chopped him up and put him in the fridge.”

9. “Smash Daddy’s head”

    when my brother was just learning how to talk he grabbed one of those small toy hammers and crawled onto the sofa where my dad was sleeping. He then leant in close and whispered one of his first sentences… ‘smash daddy’s head’ right into his ear.

10. Dark angels

    When my brother was little he acted like he had angels talking to him every second. One day my mom overheard him say,
    “I can’t kill him! He’s my only dad!”

11. “That’s the man”

    My daughter used to tell me about a man who came into her room every night and put the sign of the cross on her forehead. I thought it was just a dream. Then my mother-in-law sent over some family photos. My daughter looked right at the picture of my husband’s father (who has been dead for 16 years) and said ‘That’s the man who comes into my room at night!’ My husband later told me his father would always do the sign of the cross on his forehead when he was young.

12. Message from beyond

    My wife and i overheard my 2year daughter on the baby monitor wake up on Saturday morning and say “what? OK I’ll tell her” then get up and come into our bedroom and told my wife “Mary says you’re doing a good job.” Mary was her grandmother that she was extremely close too that passed away.

13. I called him Spooky guy

    As a kid, I said that my imaginary friend was a ghost. I called him Spooky Guy and said he died in the garage of the house on the hill behind ours. I even came up with his death. He was a 16 year old who got in a car crash and walked to that house to ask to use their phone (died in the 70′s). The person lived there grabbed him and sexually abused him there and killed him. He was my imaginary friend as far back as I can remember. This scared my mom so much that she tried to look up records to see if that happened and got me a therapist.

14. Icy wants me to tell you it will be tonight

    In high school one of my best friends had a little sister who was five or six years old. One day we stopped by his place, completely high, because he needed to get his Magic cards. While waiting for him to come downstairs his sister came up to me and said, “Icy told me to ask you if you know when you’re going to die.”

    I laughed nervously: morbid question, right? But I knew all about Icy, her imaginary friend. I even helped her draw a picture of him once. So I played along and said, “No, of course not! No one knows that. Hopefully when I’m very old.”

    The girl shook her head sadly and said, “No, Icy wants me to tell you it’ll be tonight.” And with that, she just walked away.

15. It is the punishment

    i was seventeen and babysitting a friend of the family’s six year old. he’d been in bed a couple of hours and i just peeked in to check on him. he wasn’t in the bed and when i opened the door wider, i saw he was standing in the corner, facing the wall. creepiest fucking thing ever. i asked him what he was doing and all he did was turn around, smile, and put his finger to his lips as if to say “shhh”. i asked him again what he was doing and all he says is, “leave us. it is the punishment.”

16. Keep kicking

    my grandfather had a camp on Lake Dering in NH when I was a kid. One day when I was 6 or so, I fell off of the dock and into the water. I couldn’t swim. While under, I distinctly remember seeing a little girl down there who told me to look up towards the sun and just keep kicking and I’d be fine. I swam to the surface just in time for my grandfather to swoop me up and pull me back on the dock.

17. Nope

    When my boy was 4, his imaginary friend would sit in the corner of the room when you switched off the lights and light the room with red glowing eyes

18. They were both dead

    Kid I used to babysit had imaginary friends. They were dead. One had no head. One was an old lady. They were both bloody. The one with no head had insides sticking out of his neck.

    I didn’t ask him questions about them because fuck that.

19. Tracy

    When my niece was about 4 she had an imaginary friend, which I don’t remember the name of. She would blame things she did on this imaginary friend but also talked about how this friend would watch scooby doo with her. One day I thought, why don’t I find out more about this friend. So I asked her to tell me about her friend. And she said, “she’s a she and she’s dead.” And I said okay, “does she have a job?” And she said, “she does what my daddy does!” Which is that her imaginary friend was a cop. Okay. So then I said, “where is your imaginary friend a police woman at?” And she said, “right next I to where my daddy is a policeman.” And I said okay. But then she said, “I met her when I was in my mummy’s belly. She touched it when I was inside.”

    A few months before my niece was born my cousin Tracy had died. She was hit by a train. She loved watching scooby doo and had a ton of memorabilia. She was also a cop. She was a cop in the town that is right next to the one my brother in law is a cop in, my nieces “daddy.” My niece’s imaginary friend was my dead cousin. There is no other way she could have known all that at the age of 4.

20. “That’s why I don’t like water now”

    When my kid was 4, we were watching a docu on the Titanic. The scene was a picture of the schematics of the boiler room and the camera panned from left to right over the plans. He pointed at the tv and said, “That’s wrong. The boilers were on the Other side. And I was right here.” And he pointed to a small space in the boiler room. “That’s where I was. And that’s why I don’t like water now.”

21. Emily
   
When my sister was probably about 6 or 7, she had an imaginary friend named Emily. She told us Emily lived in her closet, wore an old black dress, and had long dark hair and she was the same age as my sister. My sister played with Emily constantly. My parents started noticing my sister acting weird. Just sitting in the middle of her room whispering to Emily quite a bit and acting a lot more distant towards them. I remember a very specific day, my brother was walking by her room and my sister was sitting in the middle of her room….but she turned around and hissed at him. He was scared shitless. He told me it didn’t even look like my sister. My parents ran up to her room and i could hear my sister just screaming and screaming as loud as she “get out”.

    I have no idea what happened in that room but I ran to the bottom of my stairs and the screaming stopped, I saw my parents holding my sister crying their eyes out, she was sobbing as well. I’ve asked her about it today. She’s 24 now. She told me that Emily used to tell her to do horrible things to herself. She actually used to wake up on the roof and not remember how she got there. I’m not kidding. Apparently Emily absolutely hated my parents so she turned my sister against them. She hates talking about it so i never brought up that specific night. This all happened at my old house. When we moved into a different house, Emily was gone. I’m not making any of this up. My sisters little friend was a really big deal to my family and messed things up for a long time. I’m just relieved we left that house.

22. She floated above his bed at night

    When my younger brother was around 4, he had an imaginary friend named Victoria Meadowbrooke. He told us that she was the prettiest girl ever and she floated above his bed a night.

23. “The Evil is coming”

    When my older daughter was two or three, she used to have a couple of imaginary friends, Dodo and DeeDee. They were typical imaginary friends. She would talk to them and play with them, and tell me about their lives.

    Then one day, when she was about three, she was talking on her play phone when I walked into the room. She “hung up” her phone and said to me (with a completely flat voice and deadpan expression): “The Evil is coming.” 

31 January 2014

The Jewish origins of multiculturalism in Sweden

by Dr Kevin MacDonald. 

In The Culture of Critique and other writings I have developed the view that Jews and the organized Jewish community were a critical necessary condition for the rise of multiculturalism in the West. In Chapter 7, on Jewish involvement in shaping immigration policy, I focused mainly on the U.S., but also had brief sections on England, Canada, Australia (greatly elaborated recently in TOO by Brenton Sanderson), and France.

One question I often get is about the role of Jews in Sweden and other European countries with relatively few Jews. Now there has been a translation from Swedish of an article, “How and why Sweden became multicultural,” that summarizes academic writing on the Jewish role in making Sweden into a multicultural society. This article should be read in its entirety, but some salient points:

The ideological change started in 1964 when David Schwarz, a Polish born Jew and Holocaust survivor who immigrated to Sweden in the early 1950s, wrote the article “The Immigration problem in Sweden” in Sweden’s largest and most important morning newspaper – the Jewish-owned Dagens Nyheter (“Daily News”). It started a rancorous debate that mostly took place in Dagens Nyheter, but which subsequently continued even in other newspapers, on editorial pages and in books.

Schwarz was by far the most active opinion-former and accounted for 37 of a total of 118 contributions to the debate on the immigration issue in the years 1964-1968. Schwarz and his co-thinkers were so dominant and aggressive that debaters with an alternative view were driven on the defensive and felt their views suppressed. For example, Schwarz played the anti-Semitism card efficiently in order to discredit his opponents. …

It was the conservative Rightist Party who first embraced the idea of cultural pluralism and greatly contributed to shape the new radical direction. It is worth mentioning that the chairman of the Rightist Party 1961-1965, Gunnar Heckscher, was the party’s first leader of Jewish descent.

As in the U.S. and elsewhere, Jewish activists were aided by Jewish media ownership. Activists stressed the need to reshape immigration policy to atone for persecution of Jews—in the case of Sweden, the role of the Swedish government vis-à-vis Jews during World War II. (In the U.S., Jewish activists emphasized that the 1924 immigration law was motivated by anti-Semitism, and many activists, including academic activists like Stephen J. Gould (in his notorious The Mismeasure of Man; see here, p. 30ff, claimed that U.S. immigration restriction resulted in Jews dying in the Holocaust. Even Stephen Steinlight, who advocates restriction of Muslim immigration (and only Muslim immigration), termed the 1924 law “evil, xenophobic, anti-Semitic,” “vilely discriminatory,” a “vast moral failure,”a “monstrous policy”; see here, p. 5) 

Assimilation to Swedish culture was viewed as an unacceptable goal:

The starting point was thus a cultural pluralist perspective, which meant that immigrants with massive government intervention and financial support would be encouraged to preserve their culture (and thus send out signals to the world that Sweden is a tolerant country where everyone is welcome). The meeting between the Swedish culture and minority cultures would be enriching to the whole community and the majority population would begin to adapt to the minorities. …

It is not a coincidence that Europe’s organized Jews consistently dissociate themselves from politically organized critics of Islam, because every negative generalization towards a minority group ultimately can hit the Jews.

The article notes, and I agree, that Jews are motivated by the desire to break down ethnically and culturally homogeneous societies because of fear that such societies may turn on Jews, as occurred in Germany, 1933-1945, but also because of traditional Jewish hatred toward the Christian civilization of the West. It concludes by noting that, besides Jewish media ownership, Jewish influence was facilitated by the dominance of academic anthropology by the Boasian school — a Jewish intellectual movement — and its views on cultural relativism and denigration of Western culture.

I agree entirely that Jewish influence stems from their being an academic and media elite, as well as their ability to develop highly effective, well-funded activist organizations. Here, the role of Bruno Kaplan of the World Jewish Congress is emphasized.

This is an important contribution to the understanding of the impending death of the West. Needless to say, such an analysis does not obviate the need for an understanding of why Western cultures have been uniquely susceptible to ideologies that view the destruction of the West as a moral imperative. 

****

And look at Sweden now, look at America now, look at the West now. Mass non-European immigration into the West was no accident, it was not a natural phenomena as the leftist deceptively claim. It was a purposeful plan to weaken our culture, our homogeneity and our will. Ignorance of the facts will ultimately lead to a future in which conflict, totalitarianism, and suffering will become the norm, and all because people were stupid enough to fall for the joint globalist/leftist mythical utopian ideals that are nothing more than fairytales. 

Source

26 January 2014

TWILIGHT of the WEST


The astonishing success of the Twilight series of vampire novels written by Stephenie Meyer ranks second only to the Harry Potter series in publishing history, and the two films released to date also repeat this pattern. [1] Meyer’s series builds upon the foundation of older novels and cult films, themselves based on the European legends of vampires. The legends predate even these, for there is a long tradition in ancient religions of supernatural beings who are predators on humans, consuming the blood or flesh of the living, tales that can be found in Babylonian, Greek, Persian, Hindu, and Hebrew lore, as well as throughout Africa and the pre-colonial Americas.

The European legends appear to have been in wide circulation during the Middle Ages in the oral folk culture of numerous Christian peoples, sometimes in the writings of ecclesiastics (though this was rare), and began to be collected only in the 1700’s. This branch of vampire legends thrived mainly in South-eastern Europe, where the tendency to superstition was greater than in more developed urban societies, but also appeared elsewhere, for example in Russia and Germany. The verbal lore of several ethnic groups commonly depicts the vampire as an “un-dead” being possessed by an evil spirit, sometimes a suicide or a witch but often a corpse that had been bitten by a vampire. It is conjectured that the word “vampire” derives from a chain of linguistic adaptations that can be traced back through French and German (vampyre and vampir) to the Serbian vampir, Polish wapierz and numerous Slavic variants in other countries, such as upir, upyr, and upior. According to some etymological theorists the term originates in the Turkic term for “witch”—for example the Tatar ubyr.

The legend was popularized in Western literature through highly successful novels, beginning with John Polidari’s The Vampyre, published in 1819, and Bram Stoker’s Dracula, published in 1897. It was the latter that provided the basis for most subsequent vampire fiction. Other novels of varying degrees of literary merit have appeared since then, but few, if any of them, depart from the basic “type.” In addition, there are literally hundreds of films dealing with the theme. Notable among these are the 1922 German film Nosferatu, and Universal Pictures’ Dracula (1931), starring Bela Lugosi, followed by a series of eight Dracula films in the 1950’s and ‘60’s, starring Christopher Lee. Significant among later films are Francis Ford Coppola’s rendition of Bram Stoker’s Dracula (1992), starring Gary Oldman and Winona Ryder, and Neil Jordan’s Interview with the Vampire (1994), based on Anne Rice’s novel of the same name, starring Brad Pitt and Tom Cruise.
There are also numerous media off-shoots such as the British television series Young Dracula, which was first aired in 2006, the American television series Buffy the Vampire Slayer, which aired from 1997 to 2003, and the animated Japanese series Vampire Knight, first aired in 2008, as well as other series such as Blood Ties, Moonlight, Being Human, and True Blood. In a 2009 issue of the SCP Journal, Tal Brooke reflected on the possible causes of this cultural phenomenon:

Vampires as embodied darkness, are a perfect foil for boundary pushing as we get to know and accept them. The desensitized audience are the frogs sitting in the slowly heating kettle. The envelope of moral boundaries is constantly being pushed, with hardly a pause, and that has been happening since the early days of black and white TVs with their rabbit-ear antennas. Whether we like it or not, media is a change agent, earning vast sums and influencing populations. If a twenty second advertisement can be opinion-shaping, an hour-long program more so.
It has become clear that twenty-first century producers are neither respecters of morals nor vampire lore as they change the rules to fit the times. They clone, mix and match. The crucifix is becoming inconsequential along with holy water, removing the power of Christianity from the equation [2]

The theme of vampirism seems never to grow stale. In 2009 alone, seven films have been released, including New Moon, based on the second book of the Twilight series, with the third and fourth films soon to follow.
Vampire themes also figure in landmark end-of-the-world films such as The Last Man on Earth (1964), starring Vincent Price, Omega Man (1971), starring Charlton Heston, and I Am Legend (2007), starring Will Smith. Common to these later films is the deletion of any supernatural content and attributing the evils portrayed in them to purely physical causes. The zombie-vampires in I Am Legend, for example, are humans turned into monsters due to a plague unleashed accidentally by scientists seeking a cure for cancer. The evil is entirely natural in origins. In this film, as in most other grotesque manifestations of the horror genre, the monster has superhuman strength and eerie cognitive powers, is vicious, murderous, and hideously ugly.
But the monstrous is not always portrayed as this kind of tragic aberration. With increasing frequency the monster is presented as a new and advanced breed of human who evokes our sympathy—and even our identification with him. In the most alluring manifestations, he possesses superhuman strength and intelligence, he is more moral than his predecessors, and he is physically beautiful. In the earlier stages of vampire fantasy, the reader or viewer was shaken by terror and rewarded with the thrill of escape. In the present stage, we are stimulated by a combination of fascination with the mysterious paranormal and rewarded with the thrill of sensual desire.

A number of authors have pointed out in their studies of this genre that the thirst for the life-blood of others is a metaphor of lust. It is important to note in this regard that the vampire of legend only sometimes kills his victim; just as often, he infects the victim, turning him or her into a vampire. E. Michael Jones has written that at the root of the phenomenal rise of horror culture is suppressed conscience. Tracing the pattern from Mary Shelley’s novel Frankenstein (first published in 1818) through to Ridley Scott’s film Alien (1979) and its sequels, Jones argues that the denial of moral law produces metaphorical monsters that arise from the subconscious of creative people and spread into society through their cultural works. The monster in the Alien films, for example, is a ghastly abomination of the feminine, and salvation is possible only through expulsion of the offspring it implants and incubates in humans—a subconscious eruption of internal conflicts (and guilt) over abortion.
As Jones points out:

By following our illicit desires to their logical endpoint in death, we have created a nightmare culture, a horror-movie culture, one in which we are led back again and again to the source of our mysterious fears by forces over which we have no control. [3]

Even though modern man denies the authority of moral conscience, he cannot escape it. He is created in the image and likeness of God, and deep within the natural law of his being the truth continues to speak to him, even as he adamantly denies the existence of God (in the case of atheists) or minimizes divine authority (in the case of nominally religious people, the practical atheists). In order to live with the inner fragmentation, which is the inevitable effect of violated conscience, he is driven to relieve his pain through three diverse ways:
a) He makes open war against conscience and all its moral restraints, and pursues with radical willfulness an aggressive consumption of sensual rewards—generally a plunge into various kinds of addictions and a life of sexual promiscuity;
b) More passively, he simply ignores the inner voice of conscience and distracts himself from it by sensual and emotional rewards—generally the search for love without responsibility and a restless striving for worldly success;
c) He tries to rationalize a self-made form of conscience for himself, based in values such as “tolerance” and “non-dogmatism.” Generally this produces a new kind of perverse moralism, a self-righteousness which is, paradoxically, quite intolerant of genuine righteousness. Its anti-dogmatism is its dogma. Here there is no absolute rejection of morality, but rather a rewriting of it according to subjective feelings.
None of the foregoing coping mechanisms need be conscious. Indeed they tend to be largely subconscious processes through which a person feels that he is finding his personal identity, is living out the principle of freedom, discovering his path in life, and getting from it a portion of happiness. Though he is afflicted from time to time by a sense of the inner void, he presumes that the remedy for these dark moments will be found by increasing the dose of the very drug that is killing him.
The Twilight series, it would appear, follows the third coping mechanism mentioned above in c), the one which appeals to the broadest possible audience. The books have won numerous awards, notably the British Book Award for “Children’s Book of the Year” and the 2009 “Kids’ Choice Award for Favorite Book,” and to date have sold more than 85 million copies and been translated into 38 languages. This, despite the fact they are poorly written teen romances, pulp fiction with a twist of supernatural horror combined with racing hormones and high school boy-girl relationships. As with the Harry Potter series, blood is a crucial theme, connected with life itself and inextricably bound to the theme of immortality. But where the Potter series is only secondarily romantic, in the Twilight series romance is primary, with vampirism as the thrill that gives it spice.
In the first volume, Twilight, a young high school student named Isabella (Bella) Swan, the daughter of divorced parents, moves to the small town of Forks on the coast of Washington State in order to live with her father, the town’s police chief. [4] She has not seen him since her childhood and finds that he is a kindly but uncommunicative man—the quintessential absent father. Enrolling in the local high school, Bella is drawn to a mysterious, handsome boy in one of her classes, Edward Cullen. Burdened with a poor self-image, Bella wonders if Edward is attracted to her, or hates her, since his behavior toward her is erratic and full of confused signals. Then comes a day when he rescues her from an impending car accident, using what appears to be superhuman strength to deflect an oncoming vehicle that would have killed her. She probes for an explanation, and as their relationship develops little by little he reveals that he is “not like other people.” Gradually she realizes that he is a vampire, and Edward confirms her suspicions when he tells her:

“I’m the world’s most dangerous predator. Everything about me invites you in. My voice, my face, even my smell… I’m designed to kill… I’ve wanted to kill you. I’ve never wanted a human’s blood so much in my life… Your scent, it’s like a drug to me. You’re like my own personal brand of heroin.”

This is delivered in the low, breathless voice of an impassioned lover. This is sensual desire, this is barely restrained lust. This is definitely a new kind of vampire. There are no fangs dripping blood, no black capes, no ritual commerce with the dead, no terror of daylight, just an aversion to direct sunlight because under its rays his skin glitters like diamonds. “You’re beautiful!” exclaims Bella when Edward opens his shirt and reveals his sparkling flesh.
Bella is then introduced to the members of the Cullen family, whom we learn do not eat normal food or sleep at all. They appear to be intelligent, cultured people, sensitive and “caring.” They also have astounding physical strength, can run faster than horses and run up the trunks of trees at top speed. Most of the Cullens also have paranormal psychic gifts of various sorts. Edward can read minds, his adoptive sister Alice has the ability to see the future. We learn that the head of the family, a local physician named Dr. Carlisle Cullen, infected Edward with vampirism after the First World War, when the boy lay dying of influenza, both his parents already dead from the epidemic. In order to save his life, Dr. Cullen had taken his blood by the traditional bite on the neck, thus infecting Edward, turning him into a vampire. Now the boy is perpetually seventeen years old, and immortal. But Dr. Cullen is no Dracula. The family he has collected around him, his wife Esme and the five young people of the household, have all been “adopted” in similar fashion—for humanitarian reasons.
Edward and Bella fall in love, but soon the family encounters another coven of vampires nearby in the forest. Among them is a sadistic vampire named James who sees in Bella nothing more than food, and is excited by the prospect of a challenging hunt, because he realizes the Cullens are protecting this human prey. Edward and the other Cullens defend Bella, helping her to escape to her old hometown of Phoenix Arizona. But James tracks her down there and tortures her in preparation for killing her. She is seriously wounded, but Edward and the family arrive just in time to rescue her. They kill James (by ripping him to pieces and burning his body parts), and then they all return to Forks. The story ends at the high school prom where Edward and Bella dance together and realize they are hopelessly in love with each other. Bella whispers that she wants them always to be together, and Edward refuses to do what would make this happen. As they cling to each other with the vampire question unresolved between them, they are secretly observed by the deadly vampiress Victoria, a member of James’s coven. Victoria is now intent on revenge, setting the stage for the next book and film.
In the second novel, New Moon, Edward and the Cullen family throw a birthday party for Bella. Unwrapping a gift, she loses a drop of blood from a paper cut, and Edward’s adoptive brother, Jasper, frenzied by the scent, instinctively attacks her in order to kill her. Edwards stops him in time, but he now concludes that it is too dangerous for Bella to associate with the family. He and the Cullens leave Forks in order to protect her from themselves. Because of his absence, Bella falls into a deep depression, until she develops a strong friendship with a native-American youth named Jacob Black. Jacob is in love with Bella, and we later discover that he is a werewolf. He and the other werewolves in his tribe try to protect her from Victoria.
Through a misunderstood vision, Edward comes to believe that Bella is dead, and he travels to Italy where he decides to commit suicide from grief over losing her. But he is stopped at the last moment by the arrival of Bella, accompanied by his sister, Alice. In a meeting with the Volturi, a powerful coven of vampire “royalty,” Edward is told that according to vampire law Bella must either be killed or changed into a vampire, because she has discovered the great secret that vampires exist. The Volturi govern the world of vampires with self-protective rules, much as does the Ministry of Magic in the Potter series, and they must be obeyed. The Cullens return to Forks and vote in favor of Bella being transformed into a vampire. Edward is not happy about this, for he loves her as she is. But he offers her a choice: either she lets Carlisle transform her into a vampire after her graduation from high school, or, if Bella agrees to marry him, Edward will change her himself.
In the third novel, Eclipse, the story opens with a series of unsolved murders in Seattle, Washington. Edward suspects these are being committed by an unidentified vampire who is unable to control his thirst for human blood. As Edward and Bella apply to colleges, Bella explains to Edward her desire to see her friend Jacob Black again. Although Edward fears for her safety, Bella insists that neither Jacob nor his werewolf pack would ever harm her, and she begins visiting him occasionally. Meanwhile, Alice Cullen has a vision that Victoria has returned to Forks. A few days later, Edward proposes marriage to Bella and she accepts.
Bella and the Cullens learn that the murders in Seattle are being committed by an “army” of newborn vampires, controlled by Victoria. The Cullens join forces with the werewolf pack and prepare to combat Victoria’s forces while Edward, Bella, and Jacob camp in the mountains, in order to remain hidden during the battle. There, Jacob becomes upset when he overhears Edward and Bella discussing their engagement and he threatens to join the fight and let himself be killed. To stop him, Bella kisses Jacob and realizes that she is in love with him too. During the battle, Victoria tracks Edward’s scent to Bella’s hiding place in the woods, but Edward successfully defends her. After Victoria and her army are destroyed, Bella explains to Jacob that while she loves him, her love for Edward is greater. Receiving a wedding invitation from Edward, Jacob runs away in his wolf form, angry and heartbroken at Bella’s decision to become a vampire.
In the fourth novel, Breaking Dawn, Bella and Edward are married, but their honeymoon is disrupted when Bella discovers that she is pregnant. Her pregnancy progresses more rapidly than normal and severely weakens her. Edward, fearing that a monster is growing in her womb, wants Bella to have an abortion, but she refuses. She nearly dies giving birth and Edward injects Bella with his venom to save her life, transforming her into a vampire. The newborn baby is a daughter, half-vampire-half-human. Edward and Bella name her Renesmee. The Volturi heard about the baby, who has been reported to them as an “immortal child” (a child who has been bitten by a vampire and survived). Such children are not allowed to live because their continued existence would violate vampire law. The Volturi tribunal travels to Forks in order to decide on the case, but the Cullens gather vampire witnesses who testify that Renesmee is not an immortal child. They succeed in convincing the Volturi that Renesmee is no danger to vampires or their secret, and the family is left in peace to continue their new life together. All is well.
One might ask how such a thinly plotted bloody mess has managed to obtain such an enormous worldwide following. Part of the answer lies in the power of romantic fantasy at any stage in history. In the modern age, however, romantic fantasy in both text form and visual form is charged with powerful stimulation of the senses. In the Twilight series the main characters are highly attractive young people. For example, Bella describes Edward as “excruciatingly lovely and forever seventeen.” In the two films released to date, Edward is acted by the “narcotically beautiful” Robert Pattinson, as one feminine commentator put it. Jacob Black’s handsome face is matched by shirtless exposure of his muscled torso, as is the case with others in his werewolf pack. Bella, acted by Kristen Stewart, is very pretty (though not quite as much as her vampire friends). The Volturi look like exotic, exceedingly pale fashion models.
Physical beauty is the glue that holds the whole banal tale together. If one were to dim down the prettiness and subtract the horror from these four novels and their films, there would be little left. They would become no more than mind-numbing Harlequin Romances for very immature teenage girls. The sexual attraction and the appeal to romantic feelings, combined with the allure of mystery, all obscure the real horror of the tale, which is the degradation of the image and likeness of God in man, and the false proposal that consuming the lifeblood of another human being bestows life all around. As E. Michael Jones writes:

Both Christ and Dracula deal with blood and eternal life. Vampirism is, as Renfield makes clear, the antithesis of Christianity. Whereas Christ shed his blood so that his followers could have eternal life, Dracula shed his followers’ blood so that he could have eternal life; Dracula is a reworking of Christianity according to the canons of Social Darwinism. The monster is simply the inversion of Christianity that was taking place throughout Europe as once again the Enlightenment was implemented through one of its pseudo-scientific ideologies. … In a satanic way typical of the reversal of Christian order that the vampire creates, man achieves immortality through immorality and by infecting others—that is, through lust. Christianity exalts love; vampirism—Darwin’s survival of the fittest pushed to its extreme—exalts the hunger of desire. [5]

In the Twilight series we have a cultural work that converts a traditional archetype of evil into a morally neutral one. Vampires are no longer the “un-dead,” no longer possessed by demons. There are “good” vampires and “bad” vampires, and because the good vampire is incredibly handsome and possesses all the other qualities of an adolescent girl’s idealized dreamboat, everything is forgivable. Recall at this point that Edward has told Bella that he has killed people. Recall that he has struggled with himself not to kill her. Recall, as well, that when the “good” vampires catch a bad vampire, they rip off his head and tear his body into pieces with their hands and then burn the remains.
But this does not matter to Bella, because Edward and his family are apparently dedicated to reform—though a very selective kind of reform. They do not want to be monsters. They are what might be called vampire vegetarians—they hunt in the forest and drink only the blood of wild animals. Throughout the four novels, Edward has trained himself to resist his desire for Bella’s blood, even as she increasingly desires that he bite her and infect her. Edward, we are led to believe, is outstandingly “moral,” his self-denial resembling heroic chastity. It is all so tender and touching until one recalls that this is a story about savage killers who have infected normal humans and brought them into their “family.” But readers and film audience are conditioned to forgive this too, because they have been shown throughout the series that infecting others can be a saving act.
Referring to the vampire television series, True Blood, Tal Brooke notes that vampires are presented as a misunderstood persecuted minority who must fight for their rights against the intolerant churches.

The church service in True Blood is about as unsympathetic a portrait of Christians as any Hollywood director could hope for. It fits the carefully developed caricature of hooting ignoramuses—simple minded idiots calling out for more blood, fire and brimstone than their vampire counterparts. The public does not miss it, storing away the image.
In a double-minded gambit, the audience knows vampires are evil and yet is compelled to support vampire “rights” as the latest underclass. Killing vampires is seen as a hate crime driven by bigoted intolerance. Yet they [the audience] have seen the dark side of vampires in which mortals are despised, slaughtered and drained at whim. Like a co-dependent mother constantly making up excuses for her serial-killer son and immune to reality, the audience has been enlisted to see them in a permissive and apologetic manner—a backdoor covenant with evil and Orwell’s Double-Think in action.

Brooke states that the evils which horrified earlier generations are now embraced by “open minded” audiences as new avenues of liberation. This, he says, is part of a larger “retinal circus” in contemporary culture, one that implants images of depravity into the minds of millions through sensual lures that bypass normal human instincts of fear and disgust.

Corruption takes place when images of depravity enter the mind—the younger the mind [and] the more depraved the images, the more powerful is the impact. In the case of a young child, an innocent mind can be corrupted readily. A range of common laws are based on this truth. That’s why we have “adult” movie channels and “adult” bookstores—at least for now. …
The power of seduction takes place when an outside influence penetrates down to the inner layers of the soul and spirit to bring about corruption—for which there is already an inner component. Potential depravity becomes realized and emerges out into the open. Evil spreads and infects, causing irreversible damage. Like a cancer, it can spread through individuals into communities. At some point a culture can become corrupt. Those cultures that imploded were in the throes of moral depravity; consider ancient Rome or Sodom. Consider what was happening to bring on Noah’s flood. [6]

E. Michael Jones argues that novels about vampire infection appeared precisely at the time in history (the 1800s) when the dreaded disease syphilis was spreading in the wake of the initial post-Enlightenment stage of the sexual revolution. Now in the age of antibiotics, the most horrifying, disfiguring symptoms of the infection can be controlled, if caught early enough, thus “liberating” the promiscuous from the immediate consequences of their immoral acts. In little over a century, untrammeled serial sex has become pandemic, without the grave consequences that once would have inhibited its progress. Similarly, in little more than a century, the universal archetypes of evil have been defused. No longer considered to be demonic, they have retained only their mystique of exotically attractive danger. Corruption of the creative imagination always has its roots in the corruption of the moral order—the order within the individual and within his surrounding culture. But corruption of creative imagination can also have its origins in forces beyond the purely social. In this regard, there is a disturbing inference in Meyer’s account of the original inspiration for Twilight:

I woke up (on that June 2nd) from a very vivid dream. In my dream, two people were having an intense conversation in a meadow in the woods. One of these people was just your average girl. The other person was fantastically beautiful, sparkly, and a vampire. They were discussing the difficulties inherent in the facts that A) they were falling in love with each other while B) the vampire was particularly attracted to the scent of her blood, and was having a difficult time restraining himself from killing her immediately. … Though I had a million things to do (i.e. making breakfast for hungry children, dressing and changing the diapers of said children, finding the swimsuits that no one ever puts away in the right place, etc.), I stayed in bed, thinking about the dream. I was so intrigued by the nameless couple’s story that I hated the idea of forgetting it; it was the kind of dream that makes you want to call your friend and bore her with a detailed description. (Also, the vampire was just so darned good-looking, that I didn’t want to lose the mental image.)

Meyer goes on to describe what happened during the writing of the book:

All this time, Bella and Edward were, quite literally, voices in my head. They simply wouldn’t shut up. I’d stay up as late as I could stand trying to get all the stuff in my mind typed out, and then crawl, exhausted, into bed (my baby still wasn’t sleeping through the night, yet) only to have another conversation start in my head. I hated to lose anything by forgetting, so I’d get up and head back down to the computer. Eventually, I got a pen and notebook for beside my bed to jot notes down so I could get some freakin’ sleep. It was always an exciting challenge in the morning to try to decipher the stuff I’d scrawled across the page in the dark. [7]

Of course, one might attribute the foregoing to the inflamed imagination of a sleep-deprived mother, following up on a powerful dream that had no source other than the natural subconscious. However, Steve Wohlberg, in his 2009 article in the SCP Journal, raises another possibility, describing what later occurred in the realm of Meyer’s imagination after the publication of Twilight. He begins with a reflection on the similarities in the original inspirations of the Harry Potter series and the Twilight series:

… [The] Twilight saga received its initial spark when Stephenie Meyer had an unusual dream on June 1, 2003. Eerily, the Harry Potter phenomenon began with a similar “revelation” given to Joanne Kathleen Rowling in 1990 while she was traveling by train outside London. “The character of Harry Potter just popped into my head, fully formed,” Rowling reflected in 2001. “Looking back, it was all quite spooky!” She also stated to inquiring media that the Potter books “almost wrote themselves.” “My best ideas often come at midnight,” Rowling declared.
As with Rowling, so with Meyer. When those mesmerizing tales first burst into the brains of these two women, neither was an established writer. Both were novices. They weren’t rich either. Now they are millionaires many times over. Their experiences are similar, with common threads. Both of their novels are permeated with occultism. Based on this, it’s appropriate to wonder, is there a supernatural source behind these revelations? If so, what is it?
Stephenie Meyer herself provides an amazing clue to the answer. After her unexpected rise to stardom, she later confessed,
“I actually did have a dream after Twilight was finished of Edward coming to visit me—only I had gotten it wrong and he did drink blood like every other vampire and you couldn’t live on animals the way I’d written it. We had this conversation and he was terrifying.” [8]

Who was this “Edward”? Was it the author’s subconscious telling her that she was attempting to tame what cannot be tamed? Or was it an evil spirit manifesting through the image, urging her to give her readers less moralism and more blood? However one interprets it, the question remains: Why did she not realize that the second dream was warning her about something? In her interviews she merely reported it without offering an assessment of what it might mean, then continued to write more of the same. Why did she respond to the first dream and not to the second? Was it because the first was extremely pleasurable and the second disturbing to the point of terror? Was it because pleasure had become her good and unhappy feelings a thing to be dismissed as bad? Conscience cannot be entirely eradicated in human nature, and when it raises its painful, unwelcome truths, the individual (or the culture in which he lives) must either pay attention to it or counteract it with a strategy of denial. Attention is redirected away from the truth about his condition, focusing on overcoming symptoms and ignoring the root cause of the symptoms.
In the Twilight series, vampirism  is not identified as the root cause of all the carnage; instead the evil is attributed to the way a person lives out his vampirism. Though Bella is at first shocked by the truth about the family’s old ways (murder, dismemberment, sucking the blood from victims), she is nevertheless overwhelmed by her “feelings” for Edward, and her yearning to believe that he is truly capable of noble self-sacrifice. So much so that her natural feminine instinct for submission to the masculine suitor increases to the degree that she desires to offer her life to her conqueror. She trusts that he will not kill her; she wants him to drink her essence and infect her. This will give her a magnificent unending romance and an historical role in creating with her lover a new kind of human being. They will have superhuman powers. They will be moral vampires—and they will be immortal.
Here, then, is the embedded spiritual narrative (probably invisible to the author and her audience alike): You shall be as gods. You will overcome death on your own terms. You will be master over death. Good and evil are not necessarily what Western civilization has, until now, called good and evil. You will define the meaning of symbols and morals and human identity. And all of this is subsumed in the ultimate message: The image and likeness of God in you can be the image and likeness of a god whose characteristics are satanic, as long as you are a “basically good person.”
In this way, coasting on a tsunami of intoxicating visuals and emotions, the image of supernatural evil is transformed into an image of supernatural good.
+  +  +


[1] Stephenie Meyer, Twilight, New Moon, Eclipse, and Breaking Dawn, Little, Brown and Co, New York, Boston, 2005-2008.
[2] Tal Brooke, “Vampires Rising,” SCP Journal, Volume 33:2—33-3, 2009, published by the Spiritual Counterfeits Project, Berkeley, CA. Web address: http://www.scp-inc.org
[3] E. Michael Jones, Monsters from the Id: The Rise of Horror in Film and Fiction, Spence Publishing, Dallas, Texas, 2000.
[4] For the sake of brevity in this overview, I have combined the original story with details that were adaptations in the film version, but nothing that alters the plot or characters.
[5] E. Michael Jones, Monsters from the Id: The Rise of Horror in Film and Fiction, Spence Publishing, Dallas, Texas, 2000. Renfield is a fictional character in Stoker’s Dracula, under the control of the Count but burdened with a conscience. Dracula offers him an unending supply of food, if Renfield will worship him. Renfield refuses and is killed by Dracula.
[6] Tal Brook, “Vampires Rising,” SCP Journal, Volume 33:2-33:3.
[7] Stephenie Meyer, “The Story Behind Twilight.”
www.stepheniemeyer.com/twilight.html
[8] Steve Wohlberg, “The Menace Behind Twilight,” SCP Journal, Volume 33:2—33-3, 2009, published by the Spiritual Counterfeits Project, Berkeley, CA. Web address: www.scp-inc.org. The quote from Meyer about this second dream is from EW.com (Entertainment Weekly).

25 January 2014

Stalin's Jews

We mustn't forget that some of greatest murderers of modern times were Jewish - Sever Plocker

Here's a particularly forlorn historical date: Almost 90 years ago, between the 19th and 20th of December 1917, in the midst of the Bolshevik revolution and civil war, Lenin signed a decree calling for the establishment of The All-Russian Extraordinary Commission for Combating Counter-Revolution and Sabotage, also known as Cheka.

Within a short period of time, Cheka became the largest and cruelest state security organization. Its organizational structure was changed every few years, as were its names: From Cheka to GPU, later to NKVD, and later to KGB.

We cannot know with certainty the number of deaths Cheka was responsible for in its various manifestations, but the number is surely at least 20 million, including victims of the forced collectivization, the hunger, large purges, expulsions, banishments, executions, and mass death at Gulags.

Whole population strata were eliminated: Independent farmers, ethnic minorities, members of the bourgeoisie, senior officers, intellectuals, artists, labor movement activists, "opposition members" who were defined completely randomly, and countless members of the Communist party itself.

In his new, highly praised book "The War of the World, "Historian Niall Ferguson writes that no revolution in the history of mankind devoured its children with the same unrestrained appetite as did the Soviet revolution. In his book on the Stalinist purges, Tel Aviv University's Dr. Igal Halfin writes that Stalinist violence was unique in that it was directed internally.

Lenin, Stalin, and their successors could not have carried out their deeds without wide-scale cooperation of disciplined "terror officials," cruel interrogators, snitches, executioners, guards, judges, perverts, and many bleeding hearts who were members of the progressive Western Left and were deceived by the Soviet regime of horror and even provided it with a kosher certificate.

All these things are well-known to some extent or another, even though the former Soviet Union's archives have not yet been fully opened to the public. But who knows about this? Within Russia itself, very few people have been brought to justice for their crimes in the NKVD's and KGB's service. The Russian public discourse today completely ignores the question of "How could it have happened to us?" As opposed to Eastern European nations, the Russians did not settle the score with their Stalinist past.

And us, the Jews? An Israeli student finishes high school without ever hearing the name "Genrikh Yagoda," the greatest Jewish murderer of the 20th Century, the GPU's deputy commander and the founder and commander of the NKVD. Yagoda diligently implemented Stalin's collectivization orders and is responsible for the deaths of at least 10 million people. His Jewish deputies established and managed the Gulag system. After Stalin no longer viewed him favorably, Yagoda was demoted and executed, and was replaced as chief hangman in 1936 by Yezhov, the "bloodthirsty dwarf."

Yezhov was not Jewish but was blessed with an active Jewish wife. In his Book "Stalin: Court of the Red Star", Jewish historian Sebag Montefiore writes that during the darkest period of terror, when the Communist killing machine worked in full force, Stalin was surrounded by beautiful, young Jewish women.

Stalin's close associates and loyalists included member of the Central Committee and Politburo Lazar Kaganovich. Montefiore characterizes him as the "first Stalinist" and adds that those starving to death in Ukraine, an unparalleled tragedy in the history of human kind aside from the Nazi horrors and Mao's terror in China, did not move Kaganovich.

Many Jews sold their soul to the devil of the Communist revolution and have blood on their hands for eternity. We'll mention just one more: Leonid Reichman, head of the NKVD's special department and the organization's chief interrogator, who was a particularly cruel sadist.

In 1934, according to published statistics, 38.5 percent of those holding the most senior posts in the Soviet security apparatuses were of Jewish origin. They too, of course, were gradually eliminated in the next purges. In a fascinating lecture at a Tel Aviv University convention this week, Dr. Halfin described the waves of soviet terror as a "carnival of mass murder," "fantasy of purges", and "essianism of evil." Turns out that Jews too, when they become captivated by messianic ideology, can become great murderers, among the greatest known by modern history.

The Jews active in official communist terror apparatuses (In the Soviet Union and abroad) and who at times led them, did not do this, obviously, as Jews, but rather, as Stalinists, communists, and "Soviet people." Therefore, we find it easy to ignore their origin and "play dumb": What do we have to do with them? But let's not forget them. My own view is different. I find it unacceptable that a person will be considered a member of the Jewish people when he does great things, but not considered part of our people when he does amazingly despicable things.

Even if we deny it, we cannot escape the Jewishness of "our hangmen," who served the Red Terror with loyalty and dedication from its establishment. After all, others will always remind us of their origin.

24 January 2014

Bolshevism and the Jews


The unprecedented catastrophe of the Russian revolution required an explanation… For very many this lay in the coming to power of the Jews, and their hatred for the Russian people. For after the revolution of February, 1917 the Jews acquired full rights with the rest of the population, and the (already very porous) barriers set up by the Pale of Settlement were destroyed. Jews poured from the western regions into the major cities of European Russia and soon acquired prominent executive positions in all major sectors of government and the economy
As Alexander Solzhenitsyn has written, February brought only harm and destruction to the Russian population. However, “Jewish society in Russia received in full from the February revolution everything that it had fought for, and the October coup was really not needed by it, except by that cutthroat part of the Jewish secular youth that with its Russian brother-internationalists had stacked up a charge of hatred for the Russian state structure and was straining to ‘deepen’ the revolution.” It was they who through their control of the Executive Committee of the Soviet – over half of its members were Jewish socialists – assumed the real power after February, and propelled it on – contrary to the interests, not only of the Russian, but also of the majority of the Jewish population, - to the October revolution

Nevertheless, at the time of the October revolution only a minority of the Bolsheviks were Jews (in the early 1900s they constituted 19% of the party). “At the elections to the Constituent Assembly ‘more than 80% of the Jewish population of Russia voted’ for Zionist parties. Lenin wrote that 550,000 were for Jewish nationalists. ‘The majority of the Jewish parties formed a single national list, in accordance with which seven deputies were elected – six Zionists’ and Gruzenberg. ‘The success of the Zionists’ was also aided by the Declaration of the English Foreign Minister Balfour [on the creation of a ‘national centre’ of the Jews in Palestine], ‘which was met by the majority of the Russian Jewish population with enthusiasm [in Moscow, Petrograd, Odessa, Kiev and many other cities there were festive manifestations, meetings and religious services]’.”

The simultaneous triumph of the Jews in Russia and Palestine was indeed an extraordinary “coincidence”: Divine Providence drew the attention of all those with eyes to see this sign of the times when, in one column of newsprint in the London Times for November 9, 1917, there appeared two articles, the one announcing the outbreak of revolution in Petrograd, and the other – the promise of a homeland for the Jews in Palestine (the Balfour declaration). 

This coincidence was reinforced by the fact that the theist Jews who triumphed in Israel in 1917, and especially in 1948 after the foundation of the State of Israel, came from the same region and social background – the Pale of Settlement in Western Russia – as the atheist Jews who triumphed in Moscow in 1917. Sometimes they even came from the same families. Thus Chaim Weitzmann, the first president of Israel, points out in his Autobiography that his brothers and sisters were all either Zionists or Bolsheviks. M. Heifetz also points to the coincidence in time between the October revolution and the Balfour declaration. “A part of the Jewish generation goes along the path of Herzl and Zhabotinsky. The other part, unable to withstand the temptation, fills up the band of Lenin and Trotsky and Stalin.” “The path of Herzl and Bagritsky allowed the Jews to stand tall and immediately become not simply an equal nation with Russia, but a privileged one.”

Indeed, the Russian revolution may be regarded as one branch of that general triumph of Jewish power which we observe in the twentieth century in both East and West, in both Russia and America and Israel. The mainly Jewish nature of the Bolshevik leadership – and of the world revolution in general – cannot be doubted. Such a view was not confined to “anti-Semites”. 

Thus Winston Churchill wrote: “It would almost seem as if the Gospel of Christ and the gospel of anti-Christ were designed to originate among the same people; and that this mystic and mysterious race had been chosen for the supreme manifestations, both of the Divine and the diabolical… From the days of ‘Spartacus’ Weishaupt to those of Karl Marx, and down to Trotsky (Russia), Bela Kun (Hungary), Rosa Luxembourg (Germany) and Emma Goldman (United States), this worldwide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence and impossible equality, has been steadily growing.

It played, as a modern writer, Mrs. Nesta Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the nineteenth century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire. There is no need to exaggerate the part played in the creation of Bolshevism and in the bringing about of the Russian Revolution by these international and for the most part atheistical Jews. It is certainly a very great one; it probably outweighs all others.”

Douglas Reed writes: “The Central Committee of the Bolshevik Party, which wielded the supreme power, contained 3 Russians (including Lenin) and 9 Jews. The next body in importance, the Central Committee of the Executive Commission (or secret police) comprised 42 Jews and 19 Russians, Letts, Georgians and others. The Council of People’s Commissars consisted of 17 Jews and five others. The Moscow Che-ka (secret police) was formed of 23 Jews and 13 others. Among the names of 556 high officials of the Bolshevik state officially published in 1918-1919 were 458 Jews and 108 others. Among the central committees of small, supposedly ‘Socialist’ or other non-Communist parties… were 55 Jews and 6 others.

Richard Pipes admits: “Jews undeniably played in the Bolshevik Party and the early Soviet apparatus a role disproportionate to their share of the population. The number of Jews active in Communism in Russia and abroad was striking: in Hungary, for example, they furnished 95 percent of the leading figures in Bela Kun’s dictatorship. They also were disproportionately represented among Communists in Germany and Austria during the revolutionary upheavals there in 1918-23, and in the apparatus of the Communist International.”

According to Donald Rayfield, in 1922, the Jews “reached their maximum representation in the party (not that they formed a coherent group) when, at 15 per cent, they were second only to ethnic Russians with 65 per cent.”

The London Times correspondent in Russia, Robert Wilton, reported: ”Taken according to numbers of population, the Jews represented one in ten; among the commissars that rule Bolshevik Russia they are nine in ten; if anything the proportion of Jews is still greater.”

On June 9, 1919 Captain Montgomery Shuyler of the American Expeditionary Forces telegrammed from Vladivostok on the makeup of the presiding Soviet government: “… (T)here were 384 ‘commissars’ including 2 negroes, 13 Russians, 15 Chinamen, 22 Armenians, and more than 300 Jews. Of the latter number, 264 had come to Russia from the United States since the downfall of the Imperial Government.”

The Jews were especially dominant in the most feared and blood-thirsty part of the Bolshevik State apparatus, the Cheka, which, writes Brendon, “consisted of 250,000 officers (including 100,000 border guards), a remarkable adjunct to a State which was supposed to be withering away. In the first 6 years of Bolshevik rule it had executed at least 200,000. Moreover, the Cheka was empowered to act as ‘policeman, gaoler, investigator, prosecutor, judge and executioner’. It also employed barbaric forms of torture.”

So complete was the Jewish domination of Russia as a result of the revolution that it is a misnomer to speak about the “Russian” revolution; it should more accurately be called the Russian-Jewish revolution. 

That the Russian revolution was actually a Jewish revolution, but at the same time part of an international revolution of Jewry against the Christian and Muslim worlds, is indicated by an article by Jacob de Haas entitled “The Jewish Revolution” and published in the London Zionist journal Maccabee in November, 1905: “The Revolution in Russia is a Jewish revolution, for it is a turning point in Jewish history. This situation flows from the fact that Russia is the fatherland of approximately half of the general number of Jews inhabiting the world… The overthrow of the despotic government must exert a huge influence on the destinies of millions of Jews (both in Russia and abroad). Besides, the revolution in Russia is a Jewish revolution also because the Jews are the most active revolutionaries in the tsarist Empire.”

But why were the Jews the most active revolutionaries? What was it in their upbringing and history that led them to adopt the atheist revolutionary teachings and actions of Russia’s “superfluous young men” more ardently than the Russians themselves? Hatred of Christ and the Christians was, of course, deeply imbedded in the Talmud and Jewish ritual – but the angry young men that began killing thousands of the Tsar’s servants even before the revolution of 1905 had rejected the Talmud as well as the Gospel, and even all religion in general. 

Donald Rayfield writes: “The motivation of those Jews who worked for the Cheka was not Zionist or ethnic. The war between the Cheka and the Russian bourgeoisie was not even purely a war of classes or political factions. It can be seen as being between Jewish internationalism and the remnants of a Russian national culture…

“…What was Jewish except lineage about Bolsheviks like Zinoviev, Trotsky, Kamenev or Sverdlov? Some were second- or even third-generation renegades; few even spoke Yiddish, let alone knew Hebrew. They were by upbringing Russians accustomed to a European way of life and values, Jewish only in the superficial sense that, say, Karl Marx was. Jews in anti-Semitic Tsarist Russia had few ways out of the ghetto except emigration, education or revolution, and the latter two courses meant denying their Judaism by joining often anti-Jewish institutions and groups.”

This can be illustrated from the deathbed confession of Yurovsky, the murderer of the Tsar: “Our family suffered less from the constant hunger than from my father’s religious fanaticism… On holidays and regular days the children were forced to pray, and it is not surprising that my first active protest was against religious and nationalistic traditions. I came to hate God and prayer as I hated poverty and the bosses.”

At the same time, the Bolshevik Jews did appear to sympathize with Talmudism more than with any other religion. Thus in 1905 the Jewish revolutionaries in Kiev boasted that they would turn St. Sophia cathedral into a synagogue. Again, in 1918 they erected a monument to Judas Iscariot in Sviazhsk, and in 1919 - in Tambov! Perhaps the strongest evidence of the continued religiosity of the Bolshevik Jews was the fact that when the Whites re-conquered Perm in 1918 they found many Jewish religious inscriptions in the former Bolshevik headquarters – as well as on the walls of the basement of the Ipatiev House in Yekaterinburg where the Tsar and his family were shot. 

While officially rejecting the Talmud and all religion in general, the revolutionaries did not reject the unconscious emotional energy of Talmudic Judaism. This energy was concentrated in a fiercely proud nationalism, a nationalism older and more passionately felt by virtue of the fact that the Jews had once truly been the chosen people of God. Having fallen away from that chosen status, and been scattered all over the world by the wrath of God, they resented their replacement by the Christian peoples with an especially intense resentment. Roma delenda est – Christian Rome had to be destroyed, and Russia as “The Third Rome”, the Rome that now reigned, had to be destroyed first of all. The atheist revolutionaries of the younger generation took over this resentment and hatred even while rejecting its religious-nationalist-historical basis.

L.A. Tikhomirov wrote: “It is now already for nineteen centuries that we have been hearing from Jewish thinkers that the religious essence of Israel consists not in a concept about God, but in the fulfilment of the Law. Above were cited such witnesses from Judas Galevy. The very authoritative Ilya del Medigo (15th century) in his notable Test of Faith says that ‘Judaism is founded not on religious dogma, but on religious acts’.

“But religious acts are, in essence, those that are prescribed by the Law. That means: if you want to be moral, carry out the Law. M. Mendelsohn formulates the idea of Jewry in the same way: ‘Judaism is not a revealed religion, but a revealed Law. It does not say ‘you must believe’, but ‘you must act’. In this constitution given by God the State and religion are one. 

The relationships of man to God and society are merged. It is not lack of faith or heresy that attracts punishment, but the violation of the civil order. Judaism gives no obligatory dogmas and recognizes the freedom of inner conviction.’

“Christianity says: you must believe in such-and-such a truth and on the basis of that you must do such-and-such. New Judaism says: you can believe as you like, but you have to do such-and-such. But this is a point of view that annihilates man as a moral personality…”

Thus Talmudism creates a personality that subjects faith and truth to the imperative of action. That is, it is the action that is first proclaimed as necessary – the reasons for doing it can be thought up later. And this corresponds exactly both to the philosophy of Marx, for whom “the truth, i.e. the reality and power, of thought must be demonstrated in action”, and to the psychological type of the Marxist revolutionary, who first proclaims that Rome (i.e. Russia) must be destroyed, and then looks for an ideology that will justify destruction. Talmudic Law is useful, indeed necessary, not because it proclaims God’s truth, but in order to secure the solidarity of the Jewish people and their subjection to their rabbinic leaders. In the same way, Marxist theory is necessary in order to unite adherents, expel dissidents and in general justify the violent overthrow of the old system.

So the Russian revolution was Jewish not so much because of the ethnic composition of its leaders as because the Satanic hatred of God, Christ and all Christians that is characteristic of the Talmudic religion throughout its history was transferred – by spiritual rather than genetic heredity – from the nationalist Talmudic fathers to their internationalist atheist sons.

Source: http://www.orthodoxchristianbooks.com/articles/371/bolshevism-jews/

UK leaders sound alarm over persecution of Christians in the Middle East

 
The 2013 Christmas season brought with it the clarion call sounded by the Prince of Wales and a series of UK leaders over the dwindling population of Christians in the Middle East, where “Christianity was, literally, born.” Speaking at Clarence House in London, Prince Charles addressed religious leaders, following visits to both the Coptic Orthodox and the Syrian Orthodox Churches.

“I have for some time now been deeply troubled by the growing difficulties faced by Christian communities in various parts of the Middle East. It seems to me that we cannot ignore the fact that they are, increasingly, being deliberately targeted by fundamentalist Islamist militants,” Prince Charles stated clearly, while taking the lead in defense of Christianity by recognizing the grave situation Christians are facing and encouraging the world to stand against these atrocities. 

“We all lose something immensely and irreplaceably precious when such a rich tradition – dating back 2,000 years – begins to disappear,” he went on to say, in heartfelt remarks.

The problems facing Christians in the Middle East should not be taken as lightly as they seem to have been so far by world leaders. The former archbishop of Canterbury, George Carey, in his Christmas message published in The Sunday Telegraph writes about this saying, “I imagine that in the West our politicians think that because churches have until recently been in extraordinarily powerful opinion-forming positions, they cannot possibly be pictured as a persecuted minority. 

Yet far from being important and influential, in many parts of the world Christianity is weak and despised, and Christians are attacked and killed. In Nigeria, churches are firebombed; in Pakistan, churchgoers are prosecuted under draconian blasphemy laws, while in Egypt, they are either marginalized or assaulted.” Turning his attention to the problems Christians are also facing in the West, he then observes, “Closer to home, I admit I am worried about the future of faith in the West. Many Christians I meet say there is a pressure on them to be silent about their faith.”

As the situation for Christians in the Middle East seems to be worsening, embracing the word “persecution” when describing the ongoing atrocities in the region is apparently not something that the general public is willing to do. The majority opinion is still one which allows for so many media outlets to ignore the true scale and origin of the matter.

The deliberate targeting by “fundamentalist Islamist militants” that Prince Charles spoke of is graphically and statistically supported by Open Doors’ recently released 2014 World Watch List reporting on the 50 worst nations persecuting Christians around the world. CBN News contributor Raymond Ibrahim writes that “those persecuting Christians in 41 of 50 nations are Muslims.” 

Douglas Alexander, British labor party politician and shadow foreign secretary places today’s dire matters in perspective when he points out that “Across the Middle East, Christians have lived for almost two millennia in the place their faith was born…Indeed, the Ottoman Empire, which spanned much of today’s modern Middle East, was a multicultural state, with Christians cohabiting alsongside Shia, Sunni, Jews, Alawites and Druze.”

The interventions of the former archbishop of Canterbury and Prince Charles, particularly at Christmas, may have helped in showing how serious the matter truly is and how one should not presuppose it to be a fleeting incident. Even so, one can only wonder how much longer Christians are to be subjected to such suffering before their brutal treatment is recognized for the outrageous and futile tragedy it really is?

One of the biggest problems that Western society faces when it comes to unveiling the truth seems to be that of political correctness. Douglas Alexander talks about the threat such overzealous pseudo attempts at protecting certain freedoms can represent. “In the UK today, perhaps through a misplaced sense of political correctness, or some sense of embarrassment at ‘doing God’ in an age when secularism is more common, too many politicians seem to fear discussing any matters related to faith,” he states in the The Sunday Telegraph, making reference to Alastair Campbell’s memorable interruption of one of Tony Blair’s interviews by adding “we don’t do God” in order to prevent the then prime minister from talking about his faith.

Douglas Alexander also adds that “just like anti-Semitism or Islamophobia, anti-Christian persecution must be named for the evil that it is, and challenged systematically by people of faith and of no faith.” This seems to be the issue which has become a leitmotiv when it comes to defending a Christian’s right to worship. 

Defending religious freedom appears to be the socially excepted norm; however, this doesn’t always seem to be the case when Christianity is involved. Even though such a defense would only mean that all religions would be treated equally, or as Douglas Alexander observed, it would mean “not to support one faith over another – it is to say that persecution and oppression of our fellow human beings in the name of any god or ideology is never acceptable and is morally repugnant.”

The conservative Telegraph reports that Prime Minister David Cameron attempts to join the conversation praising Christian volunteerism or what he refers to nebulously as “Big Society.”
“Syria, Iraq, Egypt and other areas of the Holy Land sometimes overflow with tears. We won’t resign ourselves to a Middle East without Christians who for two thousand years confess the name of Jesus, as full citizens in social, cultural, and religious life of the nations to which they belong,” Pope Francis declared recently in meetings with several Eastern rite leaders, including Coptic Pope Tawadros II of Egypt.

But is the West turning the proverbial blind eye to all of these events? Is Christianity being deliberately targeted for destruction not only through persecution in places like the Middle East but also through the “keep silent about your faith so you don’t offend anyone” policy that the West has been taking part in for some time?

London’s Sunday Telegraph editorialized on the eve of Christmas that “Christian freedoms are worth fighting for.” Where are the New York Times and the Washington Post on this vital issue of our day? So, we must be grateful for those courageous media, religious, political and royal leaders in the UK for speaking up on behalf of Christianity during the Christmas season; and, yes, thank you Prince Charles for taking the lead.

On the one hand, the persecution Christians are faced with in the Middle East is rapidly deplenishing the region of this religion by killing or driving away believers. On the other hand, political correctness is slowly but surely seeping into the very fabric of Western Civilization and making this part of the world more and more immune to the suffering of people and the significance of the atrocities that are taking place. 

The way in which Christians are looked upon in the Middle East today by “fundamentalist Islamist militants” is no different than any other past example of inhumanity which plagued the world with its horrors, not so long ago. One can only hope that the term Christian will not become readily accepted by the West, the way it seems to have been in other regions, as another historical equivalent of the Holocaust’s “Untermensch” or of Rwanda’s “cockroach.” Indeed, where are the governments representing these 41 of 50 Muslim nations specified on the Open Doors’ 2014 World Watch List, and why are they silent?

Some Christians in the Middle East may have lived through another Christmas, yet, despite this, sad, somber questions lurk in the dark corner of a future that is almost upon them and, ultimately, through the burden of brotherly love and responsibility, upon us all: “Will the birthplace of Christianity still be a home for Christians in the future? What will the world lose if Christian tradition is lost in the region? Should we even dare to contemplate such a future?”

Georgiana Constantin is a law school graduate who has studied European, International and Romanian law. Her thesis on the UN and global governance was completed at the Romanian-American University in Bucharest. She is currently a Masters candidate for International and European Law at the Nicolae Titulescu University in Bucharest. Ms. Constantin, who is based in Romania, is also a contributor to SFPPR News & Analysis.

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